James Tilly Matthews, Engraving of the Air
Loom, from John Haslam’s “Illustrations of Madness”, 1810. Ink on paper.|
Consigned to Bethlem in 1776, James Tilly Matthews believed he was systematically being tortured by a gang of French spies operating a Mesmeric machine which controlled his mind and body in the following ways (and many others besides).
source: John Haslam, Illustrations of Madness: Exhibiting a Singular Case of Insanity, And a No Less Remarkable Difference in Medical Opinions: Developing the Nature of An Assailment, And the Manner of Working Events; with a Description of Tortures Experienced by Bomb-Bursting, Lobster-Cracking and Lengthening the Brain. Embellished with a Curious Plate, 1810.
(1) In the madness of one like Matthews (1770-1815) there emerges an unprecedented poesis of the machine – imagination or fancy at the service of an obsession & a fear. Comparable in its appearance & workings to Jean Tinguely’s twentieth-century “kinetic machines” or Marcel Duchamp’s “big glass” (machine célibataire), the latter with its equally remarkable verbal component, Matthews’ “air-loom machine,” as it comes down to us, is a curious act of collaboration between Matthews himself and John Haslam, resident apothecary at Bethlehem Hospital for the Insane, who wrote down Matthews’ words verbatim (or nearly so). The sense of fear & trembling underlying Matthews’s account is reminiscent too of the elaborate torture & execution device in Kafka’s In the Penal Colony that carves the sentence of the condemned prisoner into his skin before letting him die. That it coincides with contemporary fears (well-founded) of machine-based mind control & governmental surveillance is also worth noting.
A fuller description of Matthews’s underlying delusions & their intimations both of his mental state & of the world around him, follows.
(2) “James Tilly Matthews was convinced that outside the grounds of Bedlam, in a basement cellar by London Wall, a gang of villains were controlling and tormenting his mind with magnetic fluids and rays. The machine they had developed for this purpose, the Air Loom, combined recent developments in gas chemistry with the strange force of animal magnetism, or mesmerism. It incorporated keys, levers, barrels, batteries, sails, brass retorts and magnetic fluid, and worked by directing and modulating magnetically charged airs and gases, rather as the stops of an organ modulate its tones. It ran on a mixture of foul substances including ‘spermatic-animal-seminal rays’, ‘effluvia of dogs’ and ‘putrid human breath’, and the discharges of fluid extracted from these substances were focused to deliver thoughts, feelings and sensations directly into Matthews’ brain. There were many of these modulations, or ‘event-workings’, all vividly christened: ‘fluid locking’, ‘stone making’, ‘thigh talking’, ‘lobster-cracking’, ‘bomb-bursting’, and the dreaded ‘brain-saying’, whereby thoughts were forced into his brain against his will. To facilitate this process, the gang had implanted a magnet inside Matthews’ head. As a result of the Air Loom, he was tormented constantly by delusions, physical agonies, fits of laughter and being forced to parrot whatever nonsense they chose to feed into his head. His confinement in Bedlam represented the success of their strategy in making him appear mad. …“The machine itself was operated by the sinister, pockmarked and nameless ‘Glove Woman’.” (Mike Jay, “James Tilly Matthews and the Air Loom”, as seen at http://mikejay.net/articles/james-tilly-matthews-and-the-air-loom/ Mike Jay.net)
(3) “A paranoid is a man who knows the facts.” (William Burroughs)