Harry Watt, right, with Ed Curry |
The
Setting
We first
met Harry Watt in December, 1967.
Stanley Diamond prepared a letter for us to carry along and telephoned
ahead to introduce us. Diamond was
interested in the experiments in translation that my husband, Jerome
Rothenberg, was doing and thought that a meeting with some of the singers of
the Allegany Seneca, a group among whom Diamond had worked, might be conducive
to further explorations in translation.
Harry Watt received us in his warm house on a very snowy evening and,
because of his fond memories of Diamond, made an effort to acquaint us with the
community. We went back several weeks later and the next summer rented a barely
converted gas station just outside of the Steamburg relocation area. During that summer, Jerry engaged in
productive translation projects with several of the leading singers and
songmakers, and our relations with many people intensified and expanded. Toward the end of the summer we were honored
by clan adoptions in the Longhouse, and Harry Watt became my uncle in the Blue
Heron clan.
We
returned regularly to western New
York in the following years to visit, to participate
in ceremonies and to talk with friends.
Some of the best talk was with Harry Watt. We would meet at his house, or around his
sister’s table, or, in better weather, at the old house, several hundred yards
away through the woods, where Harry Watt and his wife had their gardens and where
he most liked to be. This was the house that he had preserved when the forced
relocation in 1965 caused by the building of the Kinzua Dam required that
everyone occupying a house within the flood plain move. The misery of the time of removal was vividly
felt, and the new houses generally resented.
Harry Watt’s old house was the almost singular representative of what
had been a very recently transformed way of life and, as such, conveyed layers
of meaning and emotion that we could hardly begin to appreciate. It was located high on a bank overlooking the
Allegheny River, with the gardens on one side and the woods all around, and
Harry Watt would point to places when he talked about his childhood, about
herbal knowledge, about encounters with animals. He talked about his experiences at the local
Indian school and his running away from it for a perceived injustice, about his
experiences traveling around the country doing construction work, about the
skills and men involved in his work, about his encounters with Indians in other
parts of the country, about Indian sovereignty, and about his hopes and fears
concerning a retention of Indian identity by those who were losing the Seneca
language and ceremonial knowledge. He
talked about schemes for teaching the old ways, about his respect for those who
were educated and knowledgeable in those ways, about his own sense of
deprivation in having chosen paths which led him away from an early immersion
in Seneca language and culture, onto his return in his later years with an
eagerness and a sense of responsibility toward a goal of Seneca cultural
preservation. Harry Watt’s dedication in these matters was essential to the
smooth running of the Longhouse Religion and, most importantly, to the
preparation for the annual cycle of Six Nations meetings which preserved and
carried the message of the prophet
Handsome Lake throughout the intertribal circuit of believers. He was a model
of a traditional Iroquois peace chief (although he did not have such a title): dignified,
courteous, reasonable, personally available and generous, highly intelligent,
and responsible to the collective. For
these, and many other reasons, strangers were sent to see Harry Watt, and he
was accustomed to representing his community to visitors – journalists,
scholars, students. We witnessed many of
these encounters and grew familiar with some of the regular turns the
interviews would take, so that, over the years, we heard him discourse many
times on some of the same subjects. Two of
his favorites were religious epistemology and working, and I began to feel that
I could “hum along” when he introduced one of these topics, although I tried
not to seem inattentive and not to interrupt.
In June,
1972, we rented a house In Salamanca – on the Allegany Seneca reservation – for
the beginning of a new project, this time the field work toward my
dissertation. We had no clear idea of
how long we would stay, but the work was going well and there was no other we
needed or wanted more to be, so we stayed for two years and left with great
regret. My own work turned more and more
toward historical research and archives and away from a systematic accumulation
and recording of fieldwork notes. I
regret now the tapering off of these detailed notes; when I reread them I
hardly recognize my own voice, as if I were reading the experiences of some
other person. Our social interactions
and participation were intense, but became less instrumental, and the
“participant” activity quite assuaged my early 1970’s discomfort with the
“observation” part of the anthropological enterprise.
Harry
Watt frequently remarked that “people say I should write a book.” I had heard that statement often enough to
feel some impatience whenever I heard it again, but also to feel that maybe he
really should tell the story of his life in writing and that I should help
facilitate that ambition. While it also seemed to me that hearing a systematic
account of life on the reservation at the turn of the twentieth century might
be of use to my research, I was already more focused on the turn of the
nineteenth century, so my own goals were of secondary concern in this project.
I offered to come around with the tape recorder that I rarely used, to
transcribe his dictation, and to collaborate with him on editing it for
potential publication. It seemed like a
tidy project.
On
November 16, 1972, I sat on the sofa in Harry Watt’s living room, hunkered down
for some serious descriptions of his early life on the reservation. He sat in his rocker, eyes slightly closed in
an attitude of remembering and, to my distress, began, “When I was a boy, we
really knew how to work.” I had heard
that many times before and I was sure that was not the way to start this
project. I tried to divert him, to
suggest he talk about his grandparents, his memories of being a little child,
events and people in his family. He
responded briefly to my inquiries, but seemed determined to continue talking,
in what seemed to me a platitudinous way, about working. The tape recorder ran on and he talked on,
while I sat enveloped in a cloud of frustration. When he tired of talking, I
turned the machine off, went home and transcribed what was on the tope, gave
him a carbon of the transcription the next day, and never mentioned the
autobiography again. My copy was filed
away, that other filing system in my head contained only a record of my
frustration, amended slightly by my feeling of superior wisdom about what a
real autobiography should be.
About
five years later, friends who were editing an issue of a conceptual-art magazine,
proposed that contributors from various disciplines should consider the subject
of memory from the perspective of their own work. My experience with Harry Watt’s autobiography
still rankled, and so I began an essay exploring the generalizing tendency of
the elderly in relation to their own pasts and the related problem of using
oral history as data. After I had
completed several paragraphs, I remembered that I had the transcript in my
files and thought to search it out for relevant examples.
Harry Watt’s
words flew out at me as a reproach both for my incomprehension and for the
opportunity I had missed. The organizing
principle of “work” was for him a primary value and a life metaphor. It was through working that he defined
himself and it was through the core of economic behavior that the rest of life
was elaborated. Because I did not open
my ears and my mind, as the Seneca invocation directs one to do, I missed the
opportunity to know more about it. The
transcript which exists represents in small measure an homage to the man who
died in 1986 and is included here in full to convey both the spoken cadences of
the oral delivery and the richness of ethnographic detail.
The Text
When I
got a little bigger I worked, I had things to do. I always had things to do. When I got back from school I always had
something to do. I started even before I went to school. I used to bring wood in. I had a bunch of sticks and carried them
in I piled them higher on my arms when I
got bigger.
I carried
wood and I carried water, helping my mother by bringing water. I carried water
for her for washing and cooking. My dad
used to tell me,” Always watch the water pail.
If you see it empty, fill it up.” He said, “Always have it full.”
I always
worked. For instance, milking cows; we
had cows. I went after cows. And in the summer time, I had to go after
cows. In the winter they didn’t go out.
But as I
grew older, there was more work. Many
times when other kids would come along and ask me to go along with them, go fishing
or go somewhere, “I can’t go, I’m too busy.”
There were times when the kids would help me do something to get it done
so I could go with them. Those kids
didn’t have the farm like we had. They
didn’t have no stock, and they didn’t have to have chores. They had to get wood; we all had to do that.
We all knew how to cut wood, how to use an axe.
I knew how to use an axe by the time I went to school.
They all
burned wood and they had to go out to cut wood.
The wood near the houses was just brush and wouldn’t last more than a
few days. I went out to cut trees. Maybe they would be so big I had to cut them
three times to get them into the wagon.
I cut maybe seven, eight trees at that, and that is a good wagon load.
I didn’t
have a saw. We didn’t have power saws in
those days. But there were hand saws
that two men used together. But I went
after wood alone with just an axe. I
would hitch the horses to the wagon and used to go up the hill to cut
wood. I would be wasting wood by cutting
it and letting it lay there and rot, so we would cut it and then I would get
the logs clear down to the foot of the hill, and then get the horses and load
it up. It was work. I don’t think anyone
works like that now, today. One thing
though, I had to learn to harness the horses and there was a time I couldn’t do
it and when I wanted to use the horses, why the old man had to hitch them up.
In my
family there was three more boys older than me.
They went to school. I had one brother that went to Carlisle ,
the Indian school. And then another
brother that went to Hampton ; that’s in Virginia . And the oldest one, he graduated that Quaker
school. He graduated the eighth
grade. A lot of them graduated from that
school from the eighth grade.
But I, I
didn’t I went to the Quaker school and then I got away from there. I ran away from there, after about three
years. What happened to me, some time
ago I met a Quaker. He had my records,
and he said, “Oh, it’s you, Harry watt.
You ran away from school.” I
said, “Yes, I ran away from school; I
didn’t like the idea.” I said, “I had to
work all day and after that I was hungry and I was punished for something I
didn’t do and I was kept out until I was late.
I was late and they didn’t feed me.
And I was hungry and I didn’t like that.
So I said to myself and four other boys, we got ready and we took off.
And I never went back. I was sorry I
didn’t go back. Maybe I could have
learned a little bit more. But instead I
went to work.” I came home and I told
them what had happened. Well, my dad
wasn’t too much about going to school and I suppose he thought if I went to
work, why it would be that much less on his hands. So I went to work.
I was
fifteen years old when I went to work.
It was about this time of year, in the fall, when I ran away. And just abut that time there was a man going
around. He was looking for me to go to
work. They were laying railroad tracks
down to below our city. Petroleum Center is the name of the little
town. They were laying railroad track there
going down to Titusville .
So I went over there looking for that man.
I found that man and he said, “Yeah.
How old are you?” “Oh, nineteen.” Yeah, I lied four, five years. He looked at me. “Yup. You big enough. You be ready Monday morning when we start to
go, your pay begins.
Oh, I was
all for it. When we got there, you had
to work. It wasn’t too hard work, but I worked hard. My job was men’s work and that is
everything. I pick up rails and I had to
learn how to drive spikes and I didn’t know how to work with my hands with
tools and I had to learn. But it didn’t take too long. I knew how to chop with an axe, and use a
hammer, and that helped me a lot.
We worked
all winter and we lived in a camp. I
often thought of that. Just the other day I said, “There’s something I’m hungry
for. We used to have at the camp, we
used to have a man cook. He used to fry
potatoes and bread crumbs and fish, canned fish. He would empty that fish in a great skillet
where the potatoes were cut up and add some bread crumbs and cover it and let
it fry. He had to turn it over. And the bread got kind of brown, toasted like
and everything is brown and the fish got all mixed with the other things. Oh, I
used to like that. I looked for that in
the morning, for breakfast. You had to eat to work. In a place like that you don’t get fat. You eat all you can; you wear it out. We come back for dinner. But when we had to go out, they had lunches
in bags. They generally had a place, a
shanty or two shanties, where we put our tools and they had a stove in there.
There was
about thirty men from here. We had about three hundred men. I met a boy, he was a Mexican. There was a big store and we used to all go
there. They had ice cream and all that
and some of that candy. But this guy, he
was about my age. He must have been, but
I never asked him. He kind of liked me
and he would try to talk to me and he couldn’t because he couldn’t talk
English. There was a bridge close by
there and we used to go to the bridge and just sit down and let our feet hang
down. And we’d talk. We tried to learn each other’s language. I talked English and I taught him what to say,
the meaning of different things, the names of things in the store. He ask me, “Como se llama?” I got so I could understand too. I could understand his language. I used to know quite a bit, but since that
time I lost interest of it and I didn’t see anybody I could talk to. But when I
was talking to him, I could almost talk right along. He learned finally.
There
were about one hundred Mexicans. And also Italians, pretty near a hundred of
them too. And about a hundred
Indians. Each group stayed apart and
didn’t mix. Oh, they had fights. There was two killings down there. The Mexicans had two or three and the
Italians, they had some too. They killed
each other inside the groups. In our
group, there was two, killed in a fight.
One of them was the cook. He was
stabbed. The other guy, he was beat up
and I think the train run over him.
I worked
down there all winter and I got me some nice warm clothes, because I bought
them myself. I always wanted some
clothes, some warm clothes. I got my own
money and when I got back I gave some to my mother. “Oh,” she said, “I’ll keep
it for you.”
After I
came back from there I had cows and I had young stock and I had a horse. I kept the cows on my father’s land; didn’t
have to [ay him for it, but he used the milk.
My first calf was given to me. My
grandmother on my mother’s side gave me one when I was about eight years
old. When I first went to school I had a
horse, a little horse. I used to
ride. The horse got bad after a while,
but he lived quite a while. I consider
myself a good rider. For a long time I
didn’t have a saddle, so I rode bareback.
Finally I got an old saddle I bought myself. My father and mother, they saved their money
and they worked hard. My father, he
never went out to work for day’s wages.
He’s working on the farm and what money he got, he went to work for
others for a day or so at a time. But he
had milk and from the milk he had an income.
I remember when he had about thirty cows. We all milked. My mother used to milk, my sisters, my
brother, myself. At first I had one cow
I used to milk. That one cow, my sisters
started in to milk that cow; my brothers started in to milk that cow. It was easy.
After a while when you grab the teats, the hand gets strong from milking
cows all the time. It’s a lot of
exercise. We used to have some hard
milkers.
I had
some cows. Oh, she was a good cow. I sold that cow and I got horses for it. I
sold that cow and two yearlings and I got big horses out of that. They weighed thirty-two hundred pounds, about
sixteen hundred pounds apiece. So they
were pretty big horses. I worked them
horses. I wanted them because if I had
big horses I could do this and that. If
I had big horses I could go and skin logs, go and haul lumber; I could go and
haul wood. So the old man said, “You get
yourself horses and a harness, and I’ll buy the wagon.” So one day I went shopping for horses. I bought this heavy pair of horses, made a
trade. I got a good price on this cow
because it was good. I told the man how
much she give and he didn’t quite believe it. So I said, ”You come down in the
evening and I’ll show you.” She used to
milk two milk pans full of milk in one milking.
I sold the cow to a guy named Underwood.
He was a farmer and he was a dealer too.
You have to watch how you dealed with them guys. I got a good deal. I told him that one the heifers was coming in
and it didn’t come so he told me, “You got me.”
So I said, “It’ll still come.”
In those
days I stayed home for a while after I came back from working and did a lot of
things then. That was the year they
started to pick up the track. There used
to be a railroad track down to the park and when they got through with it and
there was no more lumber, they tore up the tracks. And I worker there. And that was work. We used to pick up the rails and put it on
the railroad car. After you got one up there, you give it a good push into the
car. I used to get so tired; I slept at
noon. There was an old man there I knew
well, and wherever he said I should go I went there and I said, “Wake me up
about quarter to one.” Then I’d go to
sleep. I’d wake up, hurry up and eat,
get through and get back to work. To get
to work I had to walk several miles. I wasn’t the only one who had to
walk. Every day walk down there, work
ten hours, walk back. When I got back,
eat, sit around a little bit, then go to bed.
That job lasted all summer and they shut down after it started to snow.
After
that I worked on the railroad. I worked
there quite a few years. I can’t
describe exactly railroad work. Railroad
work is a certain kind of work. When you
work on the railroad you don’t do that on the farm. Railroad work is its own work. It’s railroad work. We laid the rails, and then we spiked them. Gauged them, then spiked them. Sometimes we had to put down plates on the
ties, and sometimes we put them every other tie. And there was times we had to put them on
every tie, that’s around a curve mostly.
It’s all heavy work. Sometimes we
laid new tracks, sometimes maintenance.
Sometimes maybe a broken rail. They get that rail out and put a new
piece in there. Or else when just a
piece off the end is broke off, then they cut it off, and fit one in
there. I’ve done that. I’ve stood on the railroad tracks and just
pound, swing that pounder all day long.
The first day you get awful tired, just don’t want to get up the next day. It hurts, hurts to move. My back hurt. But two, three days, maybe four
days, you feel better. Finally it’s
gone. In the morning you wake up, and
why, you feel just as good. You might
feel a little tighter.
I worked
uptown as a carpenter’s helper and mason and I poured concrete and worked
around concrete. And I did
plastering. And that’s hard work. The first day I thought my neck was
broke. Sometimes when I get through with
a job, by the next day I’d have another job.
I’d heard about them by going around and different men would say,
“There’s a job over there.” I’d keep
that in mind and when I’d get a chance I’d run over there and, “Sure, some to
work tomorrow.” They were building
houses quite a bit in Salamanca
in 1917, 1918.
The old
bridge went down in Quaker
Bridge in 1917/ That year we had a cold, cold winter. We had zero weather for about two weeks
continually. One day it was about 35
below. I had a Model A Ford, a roadster,
and the starter couldn’t turn over. I
had to crank, tup, tup, tup. It got
started, warmed up and I went down the road.
The people, some had cars, and they were cranking. The ice was four, five, six feet thick, and
when it came down the river it hit the bridge.
It hit that bridge and the bridge lay on the ice and it carried it to an
island down below, down to the point of that island and that’s where it
stopped. They got most of that
iron. The bridge was built around 1878. The same company built the new one. The old one was wide enough for automobiles,
but the iron that laid in there weren’t bolted down and even the boards were
not tied down. So when the cars came, the boards would loosen and slide one way
and the other and finally they had to fasten them down. And the floor beams began to slide off one
way and the other and drop off. With the
new bridge we put up, it was all concrete floor so it was solid. So that was my first bridge job. I worked with it until it got through. We finished it about the last of August 1920.
I worked
the last day on that, and the next day I had a job over at the Quaker School . I painted the roof. They had a tin roof and they wanted that
painted before it got too cold. I went
and got a partner for myself and we painted the roof for about two weeks. There was a lot of roof there.
My father
told me I should go into farming, but it’s that payday. The railroad, they paid every two weeks, and
the farmers they paid once a month. Only
a few jobs paid once a week. There used
to be a tannery in Salamanca
and they paid every week.
In those
days, after I came back from the railroad, I had horses. And I got a course from a school for horse
trainers. I wrote for instruction and I
studied and finally I graduated. I was a
horseman, I could train horses, break horses to work. One time I had nine horses. I bought some, I
traded some. In those days there were
quite a few horse traders. I got into
that a bit. I had two teams. My Dad used to use them but he had his own
too. He always had his own.
Then I
raised young stock. I raised bulls. One time I had four of them and they got to
be a good size, about two years old.
There was one of them that you just couldn’t hold him in a fence. I was feeding them for meat and I sold
them. I had to feed them at night and in
the morning before I went to work.
In those
days I used to watch the first automobiles came around, when I was eight years
old. We used to see a truck come
by. We used to hear that coming way down
the road. Maybe two cylinders—chug chug,
chug chug. And then we’d go down to the
road and watch that thing go by. It had
high wheels, same size front and back.
And the motor was cross ways and it had a crank and a heavy chain in
there. It made me think, standing there
watching that car go by and I’d think, “Someday I’m going to have one of
those. Someday I’m going to learn
exactly how that thing runs.” And I
stand there and I’d think that, “Wouldn’t it be nice if I could do that.” Everybody’d say, “Harry Watt can fix
that.” I used to have that in mind. Finally I bought a car when I was about
seventeen years old. When I was working
on the bridge I got pretty good pay. On
this bridge here I got about 60 cents an hour while the others were getting
about 30 cents, 35 cents. Then when I
worked for American Bridge Company made $1.00 an hour. The railroads were paying around 30 cents,
that was good pay. I remember before I
went to work, my brother was going to work on the highway, working for a
contractor. It was good wages, $2.00 a
day.
I was
about the only one around here to go into iron work. Later on they did. Before the 1930’s there were some from the
other reservations who were iron workers.
They were down there putting up a new bridge, just this side of where
the Kinzua Dam is now, a railroad Bridge.
About four Indians worked there and that’s about all the iron workers
there were in them days. I would be the only Indian that worked on iron in some
places.
[Originally
published in Dialectical Anthropology :
Essays in Honor of Stanley Diamond, edited by Christine Ward
Gailey, Gainesville
: University Press of Florida, 1992. Diane Rothenberg's own book, Mothers of the Nation, in which this essay also appeared, was
published by Pierre Joris's Ta’wil Books in the same year, & a newly revised &
expanded edition is scheduled from Nine Point Publishing in 2015. Of this & other of her essays, David Antin
writes: “To each of these essays Diane Rothenberg brings a tough minded
rationality and precision of regard that assumes for the ‘others’ who are the
subjects of the essays a similar rationality in the pursuit of their interests
as they perceive them. Setting the
actors in the specific economic, social and political situations in which their
actions are embedded, she shows us with great clarity and perhaps a certain
implicit black humor how intelligently they have all played their previously
bad hands.” The
final section of the Harry Watt essay (“the commentary”) can be found here
on Poems and Poetics.]
1 comment:
WORK? What's that ? I'll have to google it on my I-pad
and see what it can do for me. Work ? you mean like
doing something necessary? Like turning on the TV or
texting "what's her name", my new Facebook "friend" ?
"what do i do about this blister on my palm?"
" heat the tip of a pin, poke the blister so's the puss
flows out, pour a little peroxide on it. Then, finish digging the hole in the back yard."
amazing... folks who know/knew how to do things... now going into museums and dissertations
ABOUT what was ?
not much hope for the future of our culture, eh?
(thanks for this.... a breath of fresh air through this Opened Window.
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