CHRONOS
for Ish Klein
1
We grade
stories
and we
reconcile accounts.
By night
we binge
on The
Walking Dead.
2
"An
actual electron
emits and
swallows
its own
photons
now and
then."
3
Confusing
exchange
with use
value
makes the
word "own"
a hot
mess.
4
When I'm
alone
I pose
my
question:
Why is
one
constant
always
squared?
SOME BODY
1
When I first
lie down, trying to sleep, there's a lump of dread and hurt in my midsection.
When did this thing form? Was it always there? I remember being young - that
is, I remember places I lived and some of the things I did. I lived in an
expensive, unheated apartment in San
Francisco and sat around with my poet friends at
readings and in bars. I had written maybe 20 poems. I thought I was near the
center of something and could aim to embody it. That's enough to get a person
going.
2
Vines pegged to stakes:
veins over bones,
the beginning
or end of
somebody.
*
Weed tops
turned
white frizz
up,
blow off,
get
carried
away.
*
But
the uncertainty
in
her eyes,
the
hesitant steps
as
if she were making
some
mistake
AUDIENCE
1
Phlegmatic
and unbending,
Russell
Crowe as Noah
teaches
us
to hold
the door
against
“the desperate”
and “the
many”
threatened
by catastrophic
climate
change –
worse
than we’d guessed
and more
immediate.
2
Are we
stowaways?
3
Zipper
fracture
involves
simultaneous
stimulation
of parallel
horizontal
wells.
Viscoelastic
surfactant
gel
has/has
not been
adequately
described
RNA WORLD
1
The
numbers speak for themselves.
"To
repeat is to recognize."
"Do
you copy?"
2
Here's
one way to tell it.
Having
arisen
unobserved,
you
monitor
your
thoughts
and
varying
levels of
discomfort,
then file
a report -
now just
a memory,
one
eclipsing the last
and you
aren't
even tired.
Or are
you?
You grow
another you -
a
down-home,
come-from-nothing
sort
whom you
project
to cover
your
[NOTE. Rae Armantrout’s newest book, Itself, will be published in 2015 by Wesleyan University Press. She has emerged in recent years as an essential contributor to a new & evolving American poetry, the force of the work in fulfillment of Lydia Davis’s earlier assessment: “In every line, every stanza of these brief and dense poems, Rae Armantrout’s powerful mix of scientific inquiry and social commentary, wit and strangeness, is profoundly stimulating. She changes the way one sees the world and hears language—every poem an explosion on the page in which her individuality shines through. Is the work funny? Absolutely. Moving? Yes. But beware—after reading Armantrout you will question everything, including what it means to be ‘funny’ and ‘moving.’” Previous postings on Poems & Poetics can be found here & here, as well as Marjorie Perloff’s essay“An Afterword for Rae Armantrout.” (J.R.)
[NOTE. Rae Armantrout’s newest book, Itself, will be published in 2015 by Wesleyan University Press. She has emerged in recent years as an essential contributor to a new & evolving American poetry, the force of the work in fulfillment of Lydia Davis’s earlier assessment: “In every line, every stanza of these brief and dense poems, Rae Armantrout’s powerful mix of scientific inquiry and social commentary, wit and strangeness, is profoundly stimulating. She changes the way one sees the world and hears language—every poem an explosion on the page in which her individuality shines through. Is the work funny? Absolutely. Moving? Yes. But beware—after reading Armantrout you will question everything, including what it means to be ‘funny’ and ‘moving.’” Previous postings on Poems & Poetics can be found here & here, as well as Marjorie Perloff’s essay“An Afterword for Rae Armantrout.” (J.R.)
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