To begin ...

As the twentieth century fades out
the nineteenth begins
.......................................again
it is as if nothing happened
though those who lived it thought
that everything was happening
enough to name a world for & a time
to hold it in your hand
unlimited.......the last delusion
like the perfect mask of death

Monday, July 7, 2014

Eric Sarner translated by Pierre Joris: An extract from “Experience of Water” in Coeur Chronique


[a note from pierre joris posted originally on his nomadics blog 6/11/2014.]  In Paris now, on the day of the opening of the Marché de la Poésie, a great yearly 4 day event. One major pleasure will be to meet up with old friend Eric Sarner. I had been very happy to learn a couple months ago that this excellent poet, my good friend & sometime translator, was awarded the Prix Max Jacob 1914 for his latest book of poetry, Coeur Chronique published by the Castor Astral with a preface by Michel Deguy. Sarner is a true nomad who lives between Berlin, Paris & Montevideo. Besides a number of poetry collections he has also published several travel récits (most recently a superb book on Algeria (Un voyage en Algéries) and Sur la route 66 (travels in the US, of course), and has made a living via twenty plus film documentaries for television.
      “Here is an extract from a section called ‘Experience of Winter’ that feels/reads like a continuous/discontinuous ribbon of writing with just momentary breathing pauses, mawaqif’s in Sufi parlance, between the perceptions.”

[...]

To flee poetry
to let it flee
to let go
the brilliance
through the black groove
on the lam without reason
nothing pretty
for example
in Montaigne


to shit in a basket
and then
to put it
on one’s head


there’s need to find
for each thing its
rightful place
oh! that silent cat
over there
carefully without words
to flee poetry
leaving it the chance
to come back by the edges


Vallejo exaggerates
he who came from
the heights


3000 meters
of andean mountains


little black man
resting on his hand
his cane
meditating


while Georgette
guards his hat


triste & dulce
trilce

Vallejo saluted
this past spring
at the Montparnasse cemetery
section XII


at the end of
terraced nature
and the sparrow block


but
without even his shadow


This book Diary of Errors
I knew Ennio Flaiano for his complicity
with Fellini La Dolce vita & 8 1/2
but the title before all had stopped me livened
up notes, stories, parables, word sketches
the simplicity, delicateness
of Flaiano
an elderly checkout lady in a bar
sighs caressing her dog


The chestnut trees are in flower
and spring is not here.


he speaks also of feet

set firmly on the clouds

and on another day he confesses to have
told a seven year old girl


Go away! You’re old!

It made her cry all night long

Thus all that lives
has a share in
breath
& sme
ll
That’s Empedocles of Agrigento


the hidden breath
where then lurks
the smell of self
is what made
us recognizable
by the other
when he was
lost
naked in the shadow
without a living body
or on the edge
of a nerve
of a doubt
terrifying


No illusion on the soprano
the final accurateness
& nothing else
that’s Lacy
the grace
absolute & relative
often with no smile
either
on Steve’s face
so that there exploded
on it like a rage of
innocence
a flood of colors
a tornado
of heat as simple &
complex
as each moment
so ready to live

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