[1]
to
get
a
better
view
dawn
arrives
i say what
can be said
written
in a line
exactly
on
her
back
see is
another
angle
she
asks
gives
only
what
is
yet
to
give
g
i v e n
stone
sees
mind
sees
face
wide
grins
short
black hair
flick
in frames
nguyen
[2]
together
new
strokes
all
same
time
rhythm
moving
some
same
rise
into
verbs
circumference
centering
surround
hold s
flower
in a
perfect
cracked
vase
[3]
so
close
that
mind
can
touch
smell
taste
her
clearly
contradicting
briefly
confused
his
look
is
to
get
a
better
sense
of
her
in
heat
rock
before
breath
who
says
now
and
what
to
whom
leisure
allows
creation
stone
girl
image
language
inherent
[NOTE.
Ed Baker’s Stone Girl E-Pic, a massive gathering of drawings
& writings, was published by Leafe Press
(Nottingham , England ,
and Claremont , California ) in 2011. It is as such the celebration of a
poet/artist/calligrapher whose work attests to its almost outsider status, in
the quasi-rawness of the print & pages in the paper version, not visible as
posted here, & in the play between visual images & minimal, often
scroll-like versings. The opening
citation in Conrad DiDiodato’s foreword has something to say of this: “It is
important to collect these writers because, as has been the case over and over
in the history of literature, the best and most innovative writing, the writing
that advances the art and that in the future becomes the classic and defining
work of a period, is almost always the work of outsiders.” (John M. Bennett, Curator of the Avant
Writing Collection at Ohio
State University ). Or Baker himself: “... the facts that provoke (or
precipitate) a poem or a piece of art that is inside or outside or simultaneously
inside/outside ... the poem/piece.” The
line between inside & outside is accordingly called into question, even
into doubt. (J.R.)]
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