Book Two: The Origins of Southern California: Indigenous Myths and Songs
Part 1: Universe, World, People
quiet.
Only
solitude
like an empty house (no house)
Only
Kvish
Atakvish
Kvish: Vacant
Atakvish: Empty
These
two are man and woman, brother and sister.
Then Kvish Atakvish
becomes
Omai
Yamai
Omai: Not Alive
Yamai: Not in Existence
When these two discover themselves,
they talk with one another:
Brother,
who are you?
Sister,
who are you?
(Desire
stirs the man,
so he never again calls her sister.)
She
asks again: Who are you?
He
says:
Kvish
Kvish
Kvish
I
am Empty
Empty
Empty
He
blows out his spirit breath: Hannnn!
She
answers:
Atakvish
Atakvish
Atakvish
I
am Vacant
Vacant
Vacant
She
blows out her spirit breath: Hannnn!
She
asks again: Who are you?
He
answers:
Omai
Omai
Omai
I
am Not Alive
Not
Alive
Not
Alive
He
blows out his spirit breath: Hannnn!
He
asks again: Who are you?
She
answers:
Yamai
Yamai
Yamai
I am Not
in Existence
Not
in Existence
Not
in Existence
She
blows out her spirit breath: Hannnn!
Not Alive-Not in Existence
becomes
Whaikut Piwkut Harurai Chatuta
Whaikut Piwkut: Pale Gray The Milky Way
Harurai Chatutai: Changing Descending Deep into the Heart
These
two become
Tukmit: Dark Sky Tomaiyowit: Earth.
(Clearly it is not
male
and female
sky
and earth,
but
of another nature.)
These two:
Tukmit Tomaiyowit Dark
Sky Earth
not as children
but as themselves:
a
Continuing Being.
It
is very dark
without
stars, sun, moon.
The woman lies with her feet to the
north.
The man sits by her right side.
In the darkness
they
talk with one another again,
and
what they name
they
become:
The
First World.
[NOTE
& FOREWORD. The full range of
Suntree’s work (University of Nebraska Press, 2010), not shown here, is in fact
an epic including both indigenous & scientific/geological views of myth
& history in an unprecedented way.
This is no small accomplishment – in fact a really great one – to which
attention is called here.
Of her book’s major status, unless we
miss it, Gary Snyder writes by way of Foreword:
”A work of great spirit
accomplished with patience and vision, Susan Suntree’s epic poem is a lovely
weaving of science and myth. It is a work that sings. Like all good stories it
reads like the storyteller is right there, speaking to the reader, shaping the
universe one song at a time.
“Suntree’s
book is about impermanence. From the very beginning, the landscape known as
Southern California has reshaped itself dramatically and often. Learning how a
place comes into being acquaints us with forces of life that are large and
intimately interconnected. For the indigenous people, the creation and
transformation of the world is an account of the First People. In this way of
looking at it, the land is alive and working out its own story.
“Conditions
are always changing. Something always upsets the balance. Suntree recounts a
pivotal moment in one of the creation myths when Frog Woman and her cronies
curse the great leader Wiyot, bringing death into the world. The First People
respond by sitting together and talking things over until they find ways to accommodate
changed conditions and rebalance the world. The common good is at stake.
Everybody participates: trees, animals, weather, and eventually the human
beings. So this is a book about
maintaining balance. We can only do this by carefully listening to our
non-human neighbors and relatives.
“But
people resist letting the world in. We tend to think of the natural, the
sacred, the wild as happening outside our neighborhoods and far away. Suntree
brings us home. Every day in Los Angeles, tectonic plates, weather blown in
from thousands of miles away, and the work of Raven and Coyote are always at
play. Don’t miss it!
“Suntree’s
many years of writing, performing, and activism inform her work. So it is in part
her cumulative wisdom and insight that makes this book so strong. Here we have
a model for a much larger project: indigenous and Western poets and scientists
swapping stories, singing their best songs around the same fire, working hard
to keep the world in balance. That is going to take every song we’ve got.”]
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